Category Archives: mermaids

BFF = Brave Fiction Fan

Think it’s hard being a writer? Try being the best friend of a writer! My BFF, Danielle, reads everything I write before anyone else. She is joining the Waterworld Mermaids today to give us her side of the story.

Brief History: D and I have known each other since we were five years old, but we’ve been BFFs for the last 16 years. I live in Arlington, VA, while D is up in Pittsburgh. We have many differences, but we do share the same sensibilities regarding tanning (always wear SPF), Nora Roberts (we heart her), Pittsburgh sports teams (they’re awesome) and the movie Newsies (yay!).

Warning: D and I have a tendency to be silly and go off topic. Enjoy!

Kerri: Do you know we’ve been BFFs for 16 years?
BFF: OMG, we are that old already? Those years have been filled with some crazy times, haven’t they?
Kerri: IKR! When did you start reading romance novels?
BFF: I think it all began when you MADE me read a Nora Roberts trilogy. I think it was the “Born In” trilogy. And if I remember correctly, I had to read it so I would be educated when reading what you would write someday. You are bossy like that.
Kerri: By “bossy” do you mean “talented”?
BFF: Ummm. Sure.
Kerri: What are you reading right now?
BFF: Well, I am reading two books right now and one of them is the final book of the Nora Roberts wedding series, Happily Ever After.
Kerri: Ah Nora!
BFF: I have to admit I did not want to start it as I did not want the story to end. She has a way of having you fall in love with her characters.
Kerri: She’s the best!
BFF: Kinda like someone else I know.
Kerri: Who?
BFF: You know I love your characters but you are not published… YET!
Kerri: What is your favorite thing I ever wrote?
BFF: Ohhh, I love that short story about the girl sitting on the dock with her legs outstretched…what’s the title?
Kerri: I hate that story!
BFF: Shhhhh! I also loved your story set at Christmas and the ideas for your Halloween Story. Now that I think about it, you’ve written a whole lot, haven’t you. And I LOVE everything you have written about Steelers Nation! Black and Gold represent.
Kerri: Go Steelers!
BFF: IKR!
Kerri: We better have football season this year!
BFF: Heinz Field is prepared.
Kerri: How do you stay objective when I ask you to edit my writing?
BFF: It is hard sometimes, but usually I just let myself get into whatever I’m reading. It’s your writing and has your voice, which makes it easy to read. Commenting is comfortable, just like chatting on the phone. Plus, I know you love when I ask you for more details and you won’t get mad at me if I give you advice. Or so I think.
Kerri: You are a fan of “details” in books. [Kerri is rolling her eyes.]
BFF: You have so many great details to share. I can only imagine what it takes to put a whole story together from start to finish. I am here to remind you to describe the weather or the feeling someone has at a certain moment because I want to know as a reader. But readers can be greedy and sometimes books leave us wanting more.
Kerri: How do you feel when I get rejected?
BFF: Like I want to kick the $*!@ out of the person who rejected you!!!
Kerri: Right!
BFF: But really I just want be there to tell you to keep going, take their advice and run with it. I know it is hard to be rejected but don’t let anyone stop you from your dreams. If that one person does not like your book – their loss.
Kerri: When I am rejected or having a bad writing day, I like to send “I suck” to you embedded in song lyrics, a poem or in all caps. Which do you prefer?
BFF: I love the songs! But I HATE when you say you suck. Ooooo it makes me soooo mad. You do not suck! [Kerri imagines D is now rolling her eyes.]
Kerri: Te-he. Do you think I should use a pseudonym when I get published?
BFF: No way, you have an awesome name.
Kerri: Thanks, boo. What do you think I should wear to my first book signing?
BFF: Something with glitter, of course.
Kerri: That’s a given. How do you feel when I base a character, situation or trait on you?
BFF: I think it can be fun. I assume you take some liberties on the details but it can be interesting to see how someone sees you from the outside. I also love the situations because I think back to those times, even if they are tough times to relive. It has to be harder for you to relive tough times though.
Kerri: It has its moments of suck-a-tude.
BFF: Oooo good word!
Kerri: Thanks – I just made that up! What advice do you have for other BFFs of writers?
BFF: I would say, hang on for the ride. It can be a truly fun, and at times, scary rollercoaster. I think anyone who has a friend, family, or loved one in the arts knows that there are high highs and low lows and it is our job and responsibility to be there through it all. And it can be a lot of fun living vicariously through our friends.
Kerri: Okay, time for our final question. What do you want to do when I finally get published?
BFF: Remember when I always said I wanted to be your maid when you were rich and famous? Ha-ha, memories. When you get published I think we should go to the beach or some fun trip. You and I have had some great adventures and who knows it may inspire your next best seller.
Kerri: I think we should go to Kennywood! [Amusement Park in Pittsburgh]
BFF: Fright Nights at Kennywood!
Kerri: Weeeeee! Thank you for joining us today, Danielle.
BFF: WOW! Now I am famous!

#&*$%@$ Day Job!

I know, I know . . .  potty mouth.

But, lately I’ve been very frustrated with the amount of time my day job is taking away from my writing life.  Now, I love my job and it is very fulfilling – I’m an attorney for U.S. Navy and you couldn’t have a better group of clients.  And, this working thing isn’t new. I am not independently wealthy and while my husband is a few years older than I am – he’s no Sugar Daddy. (Although I hear that “the Hef” is now available and apparently has room at the mansion and rockin’ party already planned and paid for)

So, when I began down the path of publication and took this compulsion to write seriously, I always had to work it around the day job.  I write in the evenings after the kids have gone to bed and I can usually get in a good 2-3 hours before my comfortable bed beckons from across the room. And, sometimes I can squeeze in extra time on my regular day off and my lunch hours.  Not bad for a full-time, working mother.

I have excellent time management skills. I juggle my work and the supervision of three others and I fill-in for my boss when he is out.  I’ve done this for years . . .  so, what gives?

Beats me.

Lately work has been crazy and I’ve had a terrible time focusing when I do get a chance to sit down in front of the computer.  Not a good thing when you’re trying to maximize your writing time.

So, I’ve decided to go back to basics and seek some help. Obviously, my life and workload have shifted so I need to re-adjust my time allocation and techniques to maximize my writing time. And, like any good attorney, I went looking for some research tools – some advice from others who have been there and bought the t-shirt.

So, I have started reading this:

We’ll see if it helps.  It’s gotta be better than crawling into a fetal position and crying over blank pages.

What do you do to make time to write?  What do you do when life throws you a curveball?

Robin

Be a Money Honey

The last few weeks have been crazy. Everything has centered around my debut novel, Up a Dry Creek, coming out today. Yep, today. If I wasn’t so freaked out I’d be having the time of my life.

However, reality yanked me out of my debut novel euphoria on Friday. There I was typing away when my computer made a sound I hear multiple times a day – a sweet little bing accompanied by a calendar reminder box. June 15: Pay Estimate 2011 Taxes. Ugh. Talk about a buzz kill.

So let’s talk money. More specifically taxes.

First off, know that none of this is meant as professional advice. I am not now nor have I ever been an accountant – trust me, one glance at my checkbook and you’d realize how true that is. However, I’ve learned a few things the hard way that may make paying the piper a little easier for you.

  1. Writing is your passion, your love and your obsession. It’s also your business. Even if your business isn’t a profitable one, you need to keep track of expenses and consult with an accountant or tax software program to take advantage of the deductions available to your small businesses
  2. Keep receipts for everything: how-to books, research, association memberships, continuing education courses, meetings, paper, pens and anything else that has to do with your writing. That rule includes some big ticket items such as laptops and printers, also. You may be able to write off these expenses at the end of the year. I’ve yet to convince my accountant that my gargantuan investment in coffee is a necessary business expense, but if I ever succeed I’ll let you know.
  3. If you have a dedicated space for writing that is used only for that, you may be able to take a home office deduction. It doesn’t matter if it’s an individual room, an alcove or an empty closet (hey, I’ve been there), what’s important is that you use it only for business.
  4. When you are operating a profitable writing business (and may this be all of you), pay your estimated taxes on time and in full – state and federal. Not doing so can mean the difference between going to Disney and having a stay-cation because you drained your vacation fund to pay taxes. That sound you hear? It’s my kids whining.
  5. Get in touch with your inner money honey. You’re a writer, you know how to do research. Turn those skills to the money side of your writing business to discover how you can help to make it a more profitable one.

Money. It’s not something we writers talk about all the time, but we should. After all, as Big Worm says in the movie Friday, “Messing with my money, is like messing with my emotions.” Amen to that.

 

Love, Comma, Yours Truly

“Know the rules, so you know how to break them properly.”
–Dalai Lama

*

Depending on the time of day and the amount of alcohol involved, writers can go on for hours debating the differences between “voice” and “style.” As a part time copyeditor, it is my job to recognize an author’s style…and then not mess with it (unless it conflicts with house style–just like in poker, the house always wins).

One of the elements unique to each writer’s style is the comma.

Commas are used for lots of reasons. They can be used in lists of one thing, two things, and a third thing. They are used when addressing someone. They are used when interjecting a thought into a middle of a sentence. Most commonly, however, they are used to designate a pause in the rhythm of the text.

Most commas are legal. I feel confident in saying that because there is a comma splice in the Surgeon General’s Warning on the label of every bottle of alcohol produced in the US:

1.) According to the Surgeon General, women should not drink alcoholic beverages during pregnancy because of the risk of birth defects. 2.) Consumption of alcoholic beverages impairs your ability to drive a car or operate machinery, and may cause health problems.

A comma splice is a comma that has no purpose in a sentence. The comma between “machinery” and “and” is really just not necessary. (Though you should have seen the Fairy GodBoyfriend’s face over his Lucky Charms when I asked him to grab me a beer just now.)

It was late when I noticed this particular comma, someone was having a debate–with alcohol, and I was a bored copyeditor. (I double checked it with the English teacher present, just to be sure.) I say that if the Surgeon General is entitled to superfluous commas, then you, too, are welcome to use all the commas you want. If some crazy copyeditor messing with your style wants to take them all out, you have every right to put them all back in.

Before you do, though, I ask you to give it a shot. Leave the comma out for once and see where it goes. Long ago, when I was just a reader, paragraphs with lots of commas sometimes threw me out of the story. But I honestly can’t think of a time I was in the middle of a book and thought, “Wow, that sentence really needed a comma.”

What it comes down to is this: Trust your reader. Trust that your reader is going to know where to put the inflections in sentences and when to pause. You don’t necessarily have to put a comma in front of that “but,” but you can if you really want to. I’m not here to mess with your style. But if you’re open to suggestions, then I’m suggesting it.

I now try to make a subconscious effort to leave out commas when I don’t need them. Despite that, I think my copyeditor still took out about thirty more commas throughout the text of Enchanted. Oh, she put in a few, too, but that’s par for the course…and sometimes that’s house style. I have no problem leaving that up to the house.

Oh, shoot. You must excuse me, everyone. It’s time for me to eat and leave

Resumes and Synopsis . . . So Much Alike!

I will have to say I haven’t had time to get on-line as much as I would like to lately.  Recent situations in my ‘real’ life have interrupted much of my normal routine.  Having had a rough 2010 with my hubby laid-off (he has a solid job again and I thank God every day) and the economy the way it is, we’ve had to accept the fact I can no longer be a stay at home Mom in which we’d both agreed to eighteen years ago when my oldest was an infant.  When my second daughter came along 3 years and eight days after the first, it didn’t make sense to work just to pay for daycare.

Now that the oldest is in college and the youngest is two years away from high school graduation, it’s time for me to beat the streets of the job market.  Years of volunteering and various jobs from home (everything from in home party sales to helping my father-in-law with his insurance company) I’m now trying to figure out where I fit in, while waiting for my books to hit the market someday.  The employment agency is a fount of information for anyone out there but it’s a zoo right now as others have had to re-evaluate the job market from lay-offs, downsizing, etc.

I sat in orientation the other day and listened to one of the career counselors talk about putting together a resume in todays employment arena. Employers on average in the last year or two have hundreds of potential resumes/applications to choose from–they can be choosey.  Listen to some very interesting points:

  • Employers don’t have time to weed through hundreds of resumes a day. (Agents/Editors?)
  • A cover letter explaining who you are and what you have to offer is the first step. (Why gee–that sounds like a Query to me!)
  • In your resume an employer wants you to summarize your skills–designed for the particular job you are applying for–in the first paragraph of your resume. Employers only have time to glance over the first paragraph or two.  If it doesn’t ‘hook’ them right then–they toss it. (Agents/Editors with our Synopsis?)
  • Sell yourself and your skills–don’t go for generic (vanilla) formating.  Wow! your potential employer.
  • Be an extrovert–have business cards made up so you can network and talk about your abilities.  (Hey–isn’t that what we did at retreat and of course Nationals coming up?)
  • When you finally go for the interview–have a pitch ready and ask questions. (Agent/Editor interviews?)
  • Don’t expect to hear back from your employer interview for a few weeks (okay–perhaps months in the writing industry but you get the idea).
  • Keep sending out resumes until you hear something. (Keep sending out Queries/Synposis until you hear something.)

Okay, I guess my point is our writing is a career.  Many of us are PRO members already and we’ve either taken those steps and have the ‘job’ or are still working on those steps and are waiting for an employer/editor to pick us up as the perfect match for their business.  We may start out on the ground floor in an entry level position but as we learn the art of our career we will advance.

The parallels are uncanny. But if we associate one with the other we can get a better understanding of our goals as a writer and how it is a career choice for many of us–even if we have to work at it along with another part-time/full-time job until we can stand on our own financially.

What are your comments?  I would love to hear from you all.

Acronym Soup

It always blew my mind when my husband would come home and say something like…

“After retiring from the USMC four years ago, I went to work for the DoD as a PM with a PMP cert and have managed elements of the MTVR, HMMWV, MRAP and MATV programs, all ranging from ACAT III up to ACAT ID according to the DoD 5000 and DAWIA standards.  We work to counter IEDs, EFPs, RKG-3s with BFTs, Armor, RWS as well as the TAK-4 suspension from OTC and have expended billions in IR&D, PMC and O&M funding over the past 9 FYDB.”

Anyone understand what I just said? I didn’t either for the longest time. I had to learn to speak acronym.

Many people use acronyms, and some of them are so imbedded in our everyday lives that we don’t even realize we are using them. Things like TV, PJs, NASA, NATO, OMG, BFF, TLC, LOL, AOL, UPS, TGIF, LASER, RPG, USMC, USA… Sorry for the examples, I live with two teenage girls and a retired Marine…Yep, enough said.

Translation without the acronyms: “After retiring from the United States Marine Corps four years ago, I went to work for the Department of Defense as a Program Manager with a Project Management Professional certification and have managed elements of the Medium Tactical Vehicle Replacement, High Mobility Multipurpose Wheeled Vehicle, Mine Resistant Ambush Protected Vehicle and Mine Resistant Ambush Protected-All Terrain Vehicle programs, all ranging from Acquisition Category 3 up to Acquisition Category 1D according to the Department of Defense 5000 Order and Defense Acquisition Workforce Improvement Act standards.  Countering Improvised Explosive Devices, Explosively Formed Projectiles, Ruchnaya Kumulyativnaya Granata–3s with Blue Force Trackers, Armor, Remote Weapon Stations as well as the TAK-4 suspension from Oshkosh Truck Company and have expended billions in Industry Research and Development, Procurement Marine Corps and Operating and Maintenance funding over the past 9 Fiscal Year Defense Budgets.”

This may still sound like a garbled message from beyond and be just as alien if you do not work in military circles, but we do the same thing in the writing industry.

My CP thinks the heroine in my WIP will never get her HEA, or even a HFN, because she’s TSTL.

Translation: My critique partner thinks the heroine in my work in progress will never get her happily ever after, or even a happy for now, because she’s too stupid to live.

We romance writers tend to speak our own language, and that can be particularly challenging for someone new to writing. If you don’t understand what a critique partner or an agent or an editor is trying to tell you, then it is impossible to improve your writing.

I am going to leave you with a few commonly used writing acronyms and I invite you to add any that I may have overlooked.

CP (Critique Partner)—This is someone who gives you feedback on your writing, hopefully, in a constructive way. Usually this arrangement works as an exchange where you are expected to critique the other person’s writing as well. Some writers have one critique partner while others are part of a group.

GMC (Goal, Motivation, Conflict)—This tells you what your main characters’ goals are, their motivation for achieving these goals, and the conflict that is preventing them from achieving these goals.

POV (Point of View)—This is who is talking in the scene. You usually want to decide who is narrating the scene based on who has the most to lose, or what you might be trying to hold back from the reader or other characters in the scene.

WIP (Work in Progress)—The story you are currently working on.

MS (Manuscript)—This is a complete story you have already written.

HEA (Happily Ever After)—This is your happy ending where your hero/heroine are in love and all of the major conflicts have been resolved.

HFN (Happy for Now)—If you are not wrapping things up with the couple getting married or making a life-long kind of commitment, you at least want to make it clear they are happy and together for the long term.

TSTL (Too Stupid To Live)—This is a character that makes so many stupid decisions that the reader wants the character to die, or at least have consequences for their actions.

 

The Very Hungry Caterpillar: Artist Date and Bento Box

When I was four years old, I made a caterpillar in preschool. I glued together cut-up egg-cartons to form the segmented body and stuck pipe-cleaners on the “head” to form antenna. When I finished, the teacher instructed me to put the caterpillar into my cubby hole, and the class went outside for recess. When we returned, the caterpillar was gone. In its place was a beautiful butterfly.

I remember staring at this butterfly, in delight and astonishment and wonder. Its wings stretched out in an array of color, and glitter dusted its body. Life was all about discovery and exploration, and anything was possible in this world. Absolutely anything.

Of course, then I grew up, and school was no longer about art projects and magical transformations. It revolved, instead, around analytical thinking and practical skills, and I forgot all about the pure joy I felt when I looked at my butterfly.

And then, I stumbled across Julia Cameron’s book, The Artist’s Way, “a course in discovering and recovering your creative self.” In this book, Cameron sets forth the concept of the artist date, “a block of time, perhaps two hours weekly, especially set aside and committed to nurturing your creative consciousness, your inner artist… an excursion, a play date that you preplan and defend against all interlopers.” (Cameron, 2002, pg. 18). My eyes widened as I read these words. Two hours a week? To do anything I wanted? Unbelievable.

But there was more. The artist date is so important because “[i]n order to create, we draw from our inner well…. As artists, we must realize that we have to maintain this artistic ecosystem. If we don’t give some attention to upkeep, our well is apt to become depleted, stagnant, or blocked.” (20). While we fill this well, Cameron urges us to “think magic. Think delight. Think fun. Do not think duty. Do not do what you should do.” (21).

I immediately thought of my caterpillar. When I made it, I didn’t worry about whether or not I was any good at gluing. I just created. When I saw the butterfly, I didn’t analyze how it had gotten there. I just marveled. The artist date encouraged me to do things I’ve always been afraid of doing. I bought a sketchbook and colored pencils and drew. A pot of flowers, an olive jar. I wasn’t all that good, but it was fun. More importantly, the artist date gave me permission to see myself as a creative person. Now, when I am intrigued by a new project, whether it is tie-dying T-shirts or decorating cupcakes, I don’t question my ability. I just do it.

Since I’ve had children, it’s been more difficult to take two hours a week for my artist date. But I like to think I’m keeping up with the spirit of Julia Cameron’s ideas by incorporating creativity into my life. My latest endeavor? Bento-box meals for my children. They’re fun to make, my kids love eating them, and when I look into their eyes, I see some of the same wonder and delight I felt when I experienced magic for the first time.

What is your idea of the perfect artist date? How do you fill your creative well? We all feel depleted sometimes. I’d love to hear your thoughts and be inspired by your creative outlets!
(Bento boxes pictured inspired by the recipes in Yum-Yum Bento Box, by Maki Ogawa and Crystal Watanabe.)

If Voice Found, Please Return to Rightful Owner

Here, voicey  voicey.  Come out, come out wherever you are.  Dang blast it.  I’ve lost it again.  My dratted voice.  Not the one I use to issue dictates to errant children, ultimatums to disobedient husbands or false sincerity to overbearing bosses.  Definitely not that one.  The voice I lost, or maybe never had at all, is that mellifluous fingerprint-like identification of that quality only the best writers can convey.  It’s like a lineup or a taste test.  If I had a slew of books, covers, bios and dedications ripped away, with only my eyes as the guideposts, I can tell you which writer wrote which book.  You know exactly what I’m talking about.  It’s that voice, takes you by the lapels and yanks you into whatever or wherever it wishes you to go.  That’s the voice I’m looking for.. and the one I still can’t find.

That’s not to say I don’t hear voices.  Oh, believe me, I do.  My voice hearing ability can rival all the faces of Eve.   The problem is, as I struggle to find my voice, all the other ones drown it out.  My voice finding process goes something like this: 

10:30 pm.  I’m at the computer, trying to find my voice, when I hear another one,  “Mama, I want you to buy me these shoes when I get to be your age.. you know, when I’m 68.”  How nice, I’ve aged over three decades in under a minute.  The 4-year-old owner of that voice shows me a pair of 5-inch platforms I once bought for a Halloween party and shoved to the back of the closet.  How did she ever find them?  I assure her that of course, I will buy them for her, while silently mouthing over my dead body.  She happily totters off to bed..  for the 14thtime that night.   I close my eyes and try to feel the characters, whose emotions I’m trying to convey on a page.  Is the message coming through?  Do I even know what I want to get across?  As I try to answer those questions, I hear another voice, “Aaaaaiiiiiiiwwwaaaaa… babababababababab…  phluuuuuuuuu.”  I look at the video monitor and see the 8-month-old trying to tear apart his bed.  For the past few months, it appears he has been finding his voice too, although it sounds more like a mating call since all the neighborhood cats congregate under his window.  He’s not crying so I still sit at my computer.   Now I’m just trying to remember what I was even thinking about before.  I look back at the monitor and see he’s trying to eat the blanket with his one shiny new tooth. 

6:43 am

I’m on the Metro, paper and pencil in hand.  I have 23 minutes to find my voice before I enter the “corporate world.”  I close my eyes, in hopes of hearing it, that stupid, annoying, all important voice I’m trying to find.  Instead, an unfamiliar voice blasts through the intercom:  “The next stop is Dupont Circle.  The train will be moving shortly.  Sorry for the inconvenience, especially for the one car that has no air conditioning.”  Now I don’t even remember what it was I was thinking about.

11:45 am

I’m in my office.  The meeting is done, another brilliant use of my time (and everyone else’s).  I open up my notebook and stare at whatever it was I wrote last.  Suddenly, an inspiration strikes me, I begin to write.  The words are a melody flowing from my head.  A few sentences and I can barely keep up with my thoughts.  I feel my blood pumping, I’m exhilarated.. and then I hear it.. “Um, I wanted to talk about the meeting.  Do you have a few minutes?”  I placate my boss and just as I sit down, a gaggle of co-workers come in and we commence discussions about.. you guessed it, the meeting.

And so it goes on, and on.  Somewhere in the midst of bathroom breaks, I take a moment to think about my writing.  What works (very little), what doesn’t (almost everything).  I think about my favorite writers and try to reconstruct what quality their writing possesses that makes me want to beg for an introduction.  And amidst it all, I hear the silent but deafening voices in my own head.

 “C’mon fat ass, the Stairmaster won’t climb itself.  I need to call my cousin.  Did I remember to brush my hair?  The presentation isn’t done yet.  I need to write that dreaded synopsis.  Am I happy?  Where are my daughter’s ballet shoes?  I have to buy my mom a card.  You’re an illiterate foreigner, stop trying to pretend to be a writer.”

On the way back home, I sit in what seems like the same non air conditioned Metro car, thinking about how little I was able to accomplish.  Most importantly, I still couldn’t find my voice.  The thought is very depressing.  Right now, finding my voice is all consuming.

I get back and home and the cycle starts all over.  I hear the kids, “Mama, mama, mama… bllaaaaaa….aaaiiiii… wwwhhhhaaaaaa.”  I hear my husband, “… and then we have to prune the tree.  I went to Target and bought more formula.  Let me tell you about my day at work…”   I don’t tune out.  I’ve learned to listen as the kids are getting fed, I’m cleaning up the kitchen and trying to herd the cattle for the bedtime/bathtime route.  As he passes me in the hallway upstairs, he gives me a lopsided smile and I hear his voice in my ear, “Maybe after the kids are asleep…” his voice trails off and somehow, despite all the voices, my heart skips a beat.

 All around me, it’s quieter now.  And then I start to hear them.  Not my voice, but the voice of the characters.  They want to be let out.  I walk up the darkened stairs and they are louder, more demanding.  I make it to the landing and I can really hear them, juxtaposed against the silence of the house.  There’s still an hour before midnight, if I write for just a bit, I can still get six hours of sleep, provided the kids don’t wake in the middle of the night.  I stand in the darkened hallway, the voices are calling me to write.  I look toward the bedroom and see a sliver of light underneath the door.  I turn to look at the computer room and it is dark.  I shift my head from side to side.  The voices inside my head are now screaming, begging to let them out.  I almost turn toward the computer room and then an image pops into my head.  I see my husband as he walks into my hospital room, his eyes are red but dry.  I’m still groggy from the anesthesia but he sits at my head and smoothes my hair.  He rests his forehead on mine and I feel something wet hit my cheek.  “I promise you,” he whispers, “this is the last baby we send up to the Heavens.”  I snap back to our darkened hallway.  The voices are still ringing in my ears.  I take one last look toward the computer room and with wistful smile head toward the bedroom.   If I do have a voice, it will still be there in the morning.

Rewriting: the Love/Hate relationship of writing and how we manage it

I have a draft open on my laptop right now:  “Lucky Numbers v12 100p June4”.  Tomorrow, the version 12 will be version13.  One hundred pages will have been re-read and minute changes made, for the thirteenth time.  If I can finish those hundred pages tomorrow it will be submitted, along with the synopsis (currently version 14) to an editor who requested it at the WRW retreat in May.

But my secret is, I didn’t write all of it.  I’m putting the final rewrite on a manuscript I’ve been writing with a collaborator for two years.  This is the most recent version of the tale, and it’s been a long and complex production.

How do you handle rewrites?  Is putting the story down a breeze, and the rewriting a slog?  Do you plot as you go, and then have to go back and patch up all the holes you left behind?  Or is it all carefully planned, with minor time needed for revision?  Do you struggle for the words, even though you love the craft?

I’ll out myself here:  I rewrite too much, and it ends up being an excuse not to submit.  I’ve done rewrites where entire pages were dropped or scenes reworked.  My heroine in “Lake Effect” had a sister (briefly) suffering from Multiple Sclerosis.  Poor thing, she’s gone after one scene and six pages.  Reworking the plot yet again, she was unnecessary.

In “Lucky Numbers” this evening, Joanna’s cat went from having silky fur to having almost none.  After all, a life that’s trying to achieve perfection needs something that can never be perfect at all.  It’s a minor detail, but it says a lot about what she’s been through.

I have a deadline for the “Lucky Numbers” project, though, and a collaborator who is waiting for me to perform.  I can’t let them down.  So, I will read every line of these 100 pages for detail.  I will find the periods that were deleted by accident when a line was changed.  The awkward phrasing will be reworked.  A better word will be chosen.

And, though these current 100 pages has been through twelve versions, I’m reminding myself this weekend that I’ve had my hands on just six of them.  We send the work back and forth, with strict rules for rewrites and comments and (most important) version control.  Yes, I’m thrilled to have the final say in this manuscript.  Terrified, too.  Tomorrow, it goes out.  I owe myself, and my partner, that much.

So, back to the question:  how do you approach your rewriting?  Are you eager to tackle the job?  Is it an excuse not to submit?  And how do you cope with someone else’s comments if they mark up your cherished words?

 

The Dreaded Synopsis

Tell me, how do you write the synopsis to your W.I.P.? Because here’s how my typical synopsis writing day goes. 

First, I remind myself and anyone within earshot of how much I hate writing the synopsis. Then I open a Word Document. After staring at said blank page for about three straight minutes, I toggle over to Twitter and tweet about how I despise the synopsis.

Then, I eat something. After that, I let the food digest. We’ve all heard our mothers remind us to wait twenty minutes after we eat before working on our synopsis. Don’t want any writing-related cramps after all.

Finally, I go back to the blank page and eek out two lame sentences. I berate them. I judge them. Then I take the time to berate and judge myself. You suck, Kerri!

If there is any time left I send my BFF an email expressing my extreme suck-age. And then she tells me over g-chat that I don’t suck and reminds me of her favorite thing I ever wrote, which was my first attempt at a romantic suspense novel and involved a shattered woman, FBI agent and a fat cat. Personally, I think it blew. But seven years later, she still insists it was fabulous.

And then she tells me what she had from Starbucks that day. Usually, a Chai Latte.

Why do I hate the synopsis so much? It’s a part of writing after all. And I love writing! When I’m writing a novel the words just flow from my brain (or heart?) through my fingers onto the keyboard and out to my computer.

But the stupid synopsis? That feels like work. Like school. Except I actually liked school. So like the gynecologist. Yes, that is more appropriate. The synopsis as a gynecological visit.

Or, maybe… writing a synopsis reminds me that I have finished a manuscript. I’ve spent countless hours conceiving of an idea, creating characters and plotting out the best story I can. That means it’s time to send all that hard work out into the world for editors and agents to have the opportunity to reject.

I’ve dreamt the same dream scenario as many of you. You get a call on the first query you send out begging you to sign with that agent or editor. I will be the exception to all of the rejection stories we’ve heard.

But dream time is over. I have to send my baby out into the world. For better or worse. (And then I call my BFF just to hear once again how much she liked that sucky story seven years ago….)

So I ask you, fellow writers: Any synopsis-writing advice?