RWA Conference

Inspiration

“Why do you go to those writing conferences and retreats?”

This question was posed to me recently by one of my non-writer friends. My initial answer was something super-eloquent along the lines of, “Because!”

Can I argue a point or what!

All joking aside, I thought about why I do like going to writing conferences and retreats. Sure, there are the informational sessions and workshops. You get to pitch to and chat with industry professionals like agents and editors that you would normally not have access to. You get to catch up with your writing friends and critique partners. There’s often really amazing swag and tons of free books. You get to wear really cute sparkly shoes. (Okay, maybe that’s just for me.)

Any one of those reasons is enough for me to register. Yet, there’s still something else that makes me use vacation time at work, buy that plane ticket, pawn my dog off on one of my friends or family members, put my life on hold, etc. And…
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Conflict and the Ten Year Old

Conflict…an essential element of any story in the 21st Century. 

I know this because I’ve just come back from the Romance Writers of America’s National Conference in New York City where I attended several workshops attempting to really show us the core of what conflict means.   And not just that, but how it affects almost every aspect of your writing.  If you know what you’re doing with internal conflict, then you’ll have characters the readers care about.  If you can boil the main conflict of your story down to 25 words or less, you may just have a high concept which will help you have a dazzling pitch.  A tight, fast-paced novel with no sagging middle means you know what you’re doing with external conflict and your readers will appreciate that.   Every stage from the pitch, query, synopsis, the meat of the book…if you’ve got the conflict down, then you’re on the right path. 

Pages and pages of copious…
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