Category Archives: Cannot Write Without

Cannot Write Without: Steven Silver

The question in the lagoon this month: What’s the one thing you cannot write without?

Today’s answer comes from multiple Hugo Award nominated author and editor: Steven Silver.

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Several years ago, I was in a writing group for a short period of time.  Each time we got together, I would circulate my works in progress to the other members and usually two or three of them would circulate their works.

Invariably, several people would circulate excuses.  “I didn’t have the time.” or “My computer was down.”  I kept thinking “You had a deadline.  You find the time.  You make the time.” or “You didn’t have a pencil?  A pen?  Paper?  A receipt?”

I’ve written things on my phone if that was the only way to get the words down and I’ve remembered things I’ve wanted to write by repetitive memory so that they would stick with me until I got to a computer or paper.  So there are very few specific physical things I need to write.

I need a method of getting the words down so they’ll be there when I need them.  I don’t need a special keyboard or a magic pencil or a cup of tea (although the last is nice to have). So, what is the one thing I can’t write without…my imagination.

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Steven is a fabulous man who admits that his own website is a little behind the times. So instead, for more information I will direct you all to the website he maintains:  www.sfsite.com/news

Cannot Write Without: Carlene Love

The question in the lagoon this month: What’s the one thing you cannot write without?

Today’s answer comes from Waterworld Mermaids’ very own, Carlene Love.

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WordsOne thing, says Alethea. One thing. The. One. Thing. You need to write.

I love her. But this was hard. Until I realized I could make a tiny tweak to our theme. Maybe it’s not the “end all, be all” of writing necessities, but I’ll tell you what, I do much better in its comfy embrace. Without the nighttime, my words would be like sad little kids sitting on a bone-dry slip ‘n’ slide with a water hose stuck in the yard across the street guarded by a frothy-mouthed attack monster of your choice.

Man, that’s not a pretty scene. But hopefully this poem is. Thank you for letting me share why I love to write at night…

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Safe Words

I’d like to wake up when it’s safe and dark

Pull back the covers and get in my car

Drive until the road meets the edge of the sea

Call to you

Then hear you call back to me.

We can whisper and let everyone else sleep

It’s okay, you can speak

Your darkest and most beautiful truth

Dear Words, I surrender to you

And only the stars will know what we’ve said

And I’ll drive back home and crawl into bed

With you.

~by Carlene Love

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Do you love the night too? What’s your favorite thing to do in the dark? I’d love to hear it.

Fishy kisses to you all,

Carlene Mermaid

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Check out Carlene’s free read, Touch of Sin

 

Cannot Write Without: Nikki Woolfolk

The question in the lagoon this month: What’s the one thing you cannot write without?

Today’s answer comes from author and chocolatier extraordinaire: Nikki Woolfolk.

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The Edible Plot

Food is a character. Food is an adventure. Food is a plot point.

In early 2011, my decade long writer’s block broke open and I dreamed of a Steampunk universe that did not exist within the genre itself.

Nowadays I confidently write Steampunk adventures and culinary cozy mysteries, but I didn’t know that’s where I was going when I participated in my first NaNoWriMo in 2011. My anxiety about writing was so bad the only way to combat it was to write by hand so I did. I have several notebooks filled from that month to prove it.

In that Steampunk Universe Bible I created my main character had a sister that was just the cook, Alex LeBeau, while the group traveled, but LeBeau became something more and it was through the food she created. I used recipes to convey the undercurrent of the story mood or sometimes to give myself an inside joke to tickle me whenever I found the scene getting way too heavy.

For LeBeau the culinary school she teaches in, when not amateur sleuthing, is a place where she can create and work at solving a clue. It’s tactile. It’s facing a problem without much effort and that’s how many of us solve a problem, we do something not related to the issue.

This is the same way I plot, but I didn’t realize this four years ago. By utilizing my food history and food science education I have been able to create edible plots.

What’s that mean?

Please feel free to buy these for me for Christmas. Love, Alethea.

Please feel free to buy these for me for Christmas. Love, Alethea.

The food that makes it into my stories is a result of my plotting. Sometimes a story comes out from a ‘what if?’ scenario and other times it comes from discovering one item of food that is either unique or has a history behind it. Gunpowder tea has made its way into a metaphor, a plot point and a batch of cookies in my current WIP (another Steampunk Culinary Mystery).

Before I became confident in cooking, my stories were flat, but when I begin adding my researched food history into the story I found my voice. It not only added to a scene but made my Steampunk Chocolatier Alex LeBeau multi-dimensional. Food was another character for the ensemble cast to work alongside.

Soon after I submitted sample pages of this story to a critique group and had one beta reader tell me to remove the reference of food in my culinary mystery. Not tone it down, but omit it all together. Yes, let that sink in for a moment.

So while I took the advice on how to tighten my writing to heart I left behind the suggestion to remove my food porn because I know who my audience is and it’s not for readers that do not like reading about food and that’s alright.

After all these years I admit that  it’s tough to know how to balance a character (food) you adore that is forever changing, but I’m learning and I wouldn’t have it any other way.

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Nikki Woolfolk is the author of multiple Steampunk (Sweet & Steamy series), Cozy Food Mystery stories and a Professional Chocolatier. Nikki enjoys taking her readers on culinary adventures in a spectacular cogged and geared world with the perfect recipe of fun and adventure with a dash of wit! You can find her at:  www.NikkiWoolfolk.com and her chocolates at: www.LeBeauChocolates.com

Cannot Write Without: Alethea Kontis

The question in the lagoon this month: What’s the one thing you cannot write without?

Today’s answer comes from Waterworld Mermaids’ very own Alethea Kontis.

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Princess AletheaThis is one of those months where I’m always thrilled that my name starts with A…because it means I GET TO BLOG FIRST. (April, not so much.)

I’m excited because it’s November…which means MASSIVE AMOUNTS OF WRITING AND WORD WARS.

My first foray into National Novel Writing Month was 2004 — I finished the first draft of a novel. Unfortunately, it clocked in at a measly 36,000 words. That’s right, to date, I have never successfully “won” NaNoWriMo. I’m hoping this year, that will all change.

I often get asked about my writing schedule, or what my writing area looks like. My answer is always: HA! I have yet to establish the Perfect Workplace, or the Perfect Daily Schedule.

However, it did get me thinking: What do I need in order to write? What’s the one thing I literally cannot write without? And, for that matter, how would all my writing friends answer this same question?

Thus I bring you this month’s Theme Question — be sure to check back in every day (or Like us on Facebook) to enjoy a plethora of incredibly inspired answers from writers all over the globe.

But first, here’s my answer. Are you ready?

Hey Alethea, what’s the one thing you cannot write without?

My answer: LOVE.

You know the old cliche about tormented artists and how they find all their inspiration from the horrible events that happen in their lives? Well…not so this optimist. I know this because it was pointed out to me by someone in my inner circle…one of my very first beta readers, copyeditors, and harshest critics: My Mother.

I don’t remember which story — it was either “Blood & Water” or “Sunday” (I think it was the former). But after Mom read it, the first thing she said to me was, “You should always write when you’re in love.”

It’s true…I had a crazy-huge crush on a boy at the time. (Who ended up being a horrible specimen of a person…but I digress.) Being in love made me all lofty and poetic. The words flowed. I wanted to write (instead of just making up stories in my head and calling my friends to tell them about it).

When I am sad, I do not write. It is a horrible thing. The stories end up all trapped in my head, banging at the walls to come out. It creates this incredible powder keg of anxiety that at one point even forced me to seek medical attention (not even kidding). The misery compounds in one horrid downward spiral.

Last year, I broke up with a guy and moved to Florida. I wrote in strange fits and spurts, but it was incredibly difficult. It was less about finding my Muse and more about finding MYSELF.

When I did, I remembered what my mother had said.

I had a nervous breakdown at the age of 23. From that point on, I began surrounding myself with things that made me smile. Rainbows. Fairies. Stickers on my window. Quotes on my wall. Things that I loved.

It’s been kind of wonderful, moving into this house and starting that collection all over again. I have a prism in my kitchen window that scatters rainbows all over the house all winter. What walls aren’t lined with bookshelves are covered in artwork by artists who inspire me. And I have my friends — the Mermaids, my Brute Squad, my peeps on social media — whom I need to remember most, because these are the people I write for.

Princess AletheaThese are the people I love.

So…thanks, you guys. xox

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